Emotion in Motion

I am an emotional person therefore, I am an emotional photographer.  Whenever I am in the field, I do my best to photograph with purpose.  How can I not?  What happens in the world has a profound effect on me. Making images of my world has a lasting, meaningful effect on me.  What I see today stays with me through many, many tomorrows.   When creating an image, to me, it is my composition that defines my story and my set shutter speed that adds drama.  However, it is my emotion that dictates both.

The world is in constant motion.  Time and light never stand still.  As photographers we can stop action in an instant but, it is just that – one fleeting moment.  No sooner has the image appeared on our LCD screen than time carries on.  However, not everything needs to appear  frozen in time.  Shutter speeds allow us to capture many types of scenes; varying our shutter speeds allows us great creativity.  Being a photographer makes me very happy but, it is the process of making images that fulfills the greatest part of me.  The process goes well beyond just pushing some buttons.  The process means being involved, physically and mentally, in why you pushed the buttons.  This is the difference between taking a snapshot and creating an image.  I want to look back at my image and remember the feeling of THAT moment, not simply view a photo.

Just like time and light, emotion is in constant motion as well.  Your emotions can be a great tool if you use them in your creative process.  When I say “Photograph What You Feel”, I mean just that.  A slow shutter speed can render your scene with different feeling.  A slow shutter speed transforms moving water into smooth wisps of white that can look like cotton candy.   I love that.  A slow shutter speed blurs action and conveys a feeling of increased action. This is very dramatic.  Panning is when you purposefully move your camera during your exposure.  This technique has long been used for blurring out a background while keeping your main subject sharp as you track them in motion (such as a running horses, or kids playing soccer, or a race car).   I like to pan my camera during exposures to “paint” a scene and give it a more creative, abstract feeling.  Most often, I do this with trees and the colorful coast as my subject.  There is no right or wrong way to do it;  there is no better technique than another.  You simply set a longer shutter speed and move your camera, either horizontally or vertically, during the exposure.  The images you “keep” are all based on how you felt about what was before you.  Connect to your scene and be creative.  Do more than just push buttons on your camera.  Visualize the moment and create what you feel.

During a recent workshop we were at Annisquam Light for sunset.  The bold, bright colors in the sky created beautiful reflections on Ipswich Bay.  I composed my scene to capture the colors of the sunset in the sky and water but, also have some part of land mass visible for scale and contrast.  I clicked and clicked and clicked but, nothing resonated with me as a “keeper”.   As the light began to fade I became more anxious, more hurried, to capture an image that shared the beauty of this sunset.  I felt like I was going to lose the moment since I could not freeze the scene with a press of my shutter.  Staring out over the bay I could literally see time and light moving and, with it, my opportunity was fading away.  Wait!  I could SEE time and light moving!  That was it!  I quickly changed my perspective, set my exposure, loosened the lateral movement of my Kirk ballhead, and panned with the moving light.   I did not want to freeze the action;  I wanted to capture the feeling of a beautiful sunset moving over the bay.  In a moment I felt my image and created it.

Occasionally, it is best to slow everything down and move with time.

 

Photograph What You Feel

Don Toothaker

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The Versatility of You

Digital Photography is incredible.  Never before has our potential as photographers been so unlimited.  Today’s cameras are loaded with technology and capable of producing a broad range of results.  All they need is our creativity to make them shine!  We all should strive to be the best photographers we can be; not just the best portrait photographer or sports photographer or wedding photographer.  Your camera is loaded with versatility and you should be as well.

For me, one of the greatest aspects of digital photography is the opportunities it offers.  Pour yourself a cup of coffee, or something a bit stronger if desired, and spend some time studying your camera.   Look it over and learn its buttons and menus.  Understand what YOU need to do to make adjustments in the field.  How do you change your ISO?  Where is your histogram?  Does your camera have bracketing for HDR shooting?  Can you view your images in Black and White?  How do you set focus tracking?  Where do you set file size?   Contemplate what the camera and its technology is capable of.  Then, think about what it can do when combined with your creativity.  It is critical to know your gear but, it is even more essential to realize your aspirations  as a photographer.  The camera is just a tool and, ultimately, it is only as good as you are.  How good do you want to be?   Be aware, be creative, and be versatile.

The latest line of DSLR’s, both pro and consumer grades, give us more versatility than ever.  Seven years ago I bought my first DSLR – the 6 megapixel Nikon D70s.  It was a great consumer grade camera but, struggled at any ISO higher than 400.  I shot scenic’s at ISO 100 and used ISO 400 for sports/low light shooting.  I never went over ISO 400 unless I had to:   very similar to how we worked with film when you think about it.   My new Nikon D800 is a 36 megapixel powerhouse that will transform 35mm digital photography as we know it.  Right now, it gives me once unimaginable potential and versatility.  I welcome  that.
When I was a film shooter and headed to Maine for a weekend, I would typically bring 10 rolls of Fuji Velvia for pretty scenic’s, 10 rolls of 400 speed Fuji Provia for shooting in lower light, and 5 rolls of Kodak Black and White TMAX 400.  Each film had a job to do that was necessary but, costly and, at times, frustrating.  It would never seem to fail that I had half a roll of Velvia still left in my F5 but, now wanted to shoot a portrait in Black and White.  Instead of wasting film, I wasted opportunities.  Now, I dial a button and blow away anything that those films could ever do.  Think about that.  Think about the amazing versatility of that from a technology standpoint.  Now, think about the versatility of that as a photographer.  In a moments notice you can adapt to any situation and capture it with beautiful results.  That is not only very exciting but, it is highly empowering.
All of us should be very excited at the options available to us through technology.   The increasing resolution of today’s camera’s gives us breathtaking detail.  Being able to produce high quality images at ISO’s of 1600, 3200, and 6400 is mind boggling.   I can be in my garden shooting macro shots at ISO 100 and capture fine detail and rich colors.  A short time later, in order to defeat a frustrating breeze,  I can change my ISO to 800 and create a sharp, abstract image with similarly beautiful results. Then, just a few minutes later, change my ISO to 3200 and catch a GREAT portrait of my cat in poor, indoor light.  The power of versatility.   Wow.  No, seriously, Wow!!  
Technology continues to grow at an amazing pace but, to make it effective you must grow as well.  Having the latest, greatest camera does not make you a photographer.  YOU make yourself a photographer.  Push the limits of technology but, push your imagination just as far.  Nurture your creative energy, embrace the versatility of your camera, and harness the power of “you”.   The LCD screen and histogram give immediate feedback on your successes, your failures, and your necessary adjustments but, the best results all come from within.
How Versatile are You?
Don
“Photograph What You Feel”
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Old Friends

I turn to my camera often when I am compelled to be creative and expressive.  My trusty Nikon’s never fail to be a source of great comfort for me.    I feel safe with them, secure with them, and inspired with them.  They are constant companions and familiar “friends” as I explore my world and pursue my love of photography.  The images I make are a part of me.  They too are like old friends but, what happens to the images I DON’T process?

The creative process, for me, is something very personal, spiritual, and meaningful.  Every photo is taken with great purpose but, not every one works as a “final” image.   Too often my expectations exceed the final results but, one characteristic of experience is that I shoot less frames and come away with more “keepers”.  My workflow dictates that I immediately make a folder of my subject, download my images into the folder, and mark the images that I believe are notable.  Once done with those I make another pass through and look for more keepers.  I always find more but, inevitably there are many that never get much of a look, let alone processed.  I keep every image unless there is something excessively wrong with the photo.  Like my cameras, ALL of these images are my friends.  Like real life friends, we need to visit with them and nurture them and learn from them; even our mistakes.  They should not be forgotten.

I feel it is VERY important to go back and review your images at another time.  Almost every time I do this, I find an overlooked gem that now resonates with me.  In our enthusiasm to process what we believe to be good, we hurriedly overlook failed images that we can learn from and still work on.  Our skill set with software does nothing but improve and the software itself becomes more and more powerful.  Re-visiting our images from this year, last year, and years before should become an integral part of our creative process.  The advancements in Lightroom, HDR software, and Nik Software broaden our ability for post production.  Dig deep into your creativity and you WILL find more quality images in your library.   If nothing else, you will reconnect with images, places, and people who have meaning for you.

Go ahead, take the time to say hi to an old friend today; one way or another.

Don

“Photograph What You Feel”

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