CHANGE IT UP

I’m sure we all have a favorite place to visit, vacation, photograph, etc.  Mine is in Maine on Schoodic Lake at the family cottage. Ah,……. I won’t tell you how many years I’ve been going there. My library of Schoodic images includes old 35mm slides and plenty of digital images too.  They all look somewhat similar though. So, this past week I changed it up.  One image is the ‘similar’ one & the other two are new (for me).  The lake is so beautiful and our view is so wide I get clouds.  Boy do we get clouds! So, I find my self going the familar ole….. get those clouds to pop.

If you look at the Black & white images you’ll see I slowed the waves down.  I stacked two neutral density filters on top of each other to get longer exposures and to get that early evening look as well.  I used Nik software to get to my final result after applying some changes & image ‘tuning’ in Lightroom 4.

For the raft I used Color Efx Pro 4 and the glamour glow preset. This was a 25mm, iso100 at f20 with a 30 sec exposure.  The old dock and boat lift was converted to B&W using Nik’s Silver Efx Pro.  Exposure here was 25mm, iso 100, f11 for 30 seconds.

The message here is that one can find themself falling into doing the same ole thing time after time.  Think about your subject & do something diferent.  In some cases you need to start right in-camera.  Don’t depend on post-processing to get to something different.  Look at the subject differently (I never photographed that wharf from anywhere near that angle….always stood on top of it or looked down it towards the lake…..geez).  I’ve never slowed the lake water to get that raft on a nice smooth surface….yikes.

So, change it up on occasion. I’d love to see some of your examples!

Bob Ring

www.nephotoworkshops.com

 

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Push It: Push It Real Good

I want to be a good photographer.  No, actually I want to be a GREAT photographer.  I admit it.  Ever since I bought my first SLR many years ago I have worked hard at teaching myself how to improve my photography skills.  Whether I am shooting an assignment, working on my own, or helping other photographers I do everything I can to create good images.  But, perhaps, I put too much emphasis on HOW to get it good images.  Using good technique and  fundamentals is STILL essential but, rules are meant to be broken and the ability of today’s cameras let you break those rules like never before.

 

Current digital cameras are loaded with capability and potential.  Yes, potential is a significant part of that equation.  The innovations in DSLR’s give every photographer unlimited potential to make images in a variety of scenarios.  I find it ironic that much of the discussion about new cameras revolves around how good they are at the high ISO settings but, we never really push those limits that much – at least I don’t.  My new Nikon D800 is fantastic at ISO 3200 but, time and time again I am on a tripod shooting at ISO 100 to make sure my image is as sharp as possible, with as little noise as possible, and with the best color and contrast possible.  Good technique and fundamentals are VERY necessary but, they are not exclusive to ISO 100 and a tripod!  One thing I love about teaching is how much I learn as well.  From now on I vow to be, on occasion, a total rebel with my camera.

 

 

This past weekend on our workshop in Portland Maine, we had a few occasions to shoot at high ISO’s with NO tripods.  I loved it.  I loved pushing the limits of technology and myself!  One afternoon we walked around the Old Port for a couple of hours and we challenged the class to bring ONE lens and no tripod.  Yup, Bob and I went totally rogue.   With no tripod it was necessary to move your ISO to 400 or 800.  Guess what, people got some great, sharp, colorful images!  Then we ducked into a dahk bah (said in my best Boston accent) and ordered some lunch.  Since it took forever to get some food, I took the opportunity to crank my camera up to ISO 3200 and shoot some portraits in the pub.  I encouraged others to do the same.  In much less time than it took to get our burgers, most of the class was dialing up their ISO’s and shooting snippets of people and things at Gritty’s.  Guess what, people got some great images!  Yup, you heard it here: good, fun, meaningful images can be found at ISO 1600 and above!  Current digital camera’s let us get the shot we want, right NOW!  All three of the images below were taken with my D800 at ISO 3200.

 

 

 

 

 

 

 

 

 

So, never abandon good technique, never ignore the fundamentals, and understand how to create the best image possible wherever you may be but, don’t be afraid to push the limits of your camera – you paid for all of that technology so, use it!

 

 

Photograph What You Feel!

Don

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Facing My Creative Beast

Creativity is my photographic Achilles Heel.  I feel confident with my equipment, I feel confident composing a scene, and I feel confident photographing a variety of subjects.  Despite all of that, creativity remains a personal beast that I struggle to tame.  Creativity is what separates good images from spectacular images.  I routinely encourage other photographers to think out of the box and push their vision but, it is me that needs to heed this advice more than anyone.  I, Donald Edward Toothaker, struggle to be creative.

So often I read about photographers envisioning an image before shooting it.  Ansel Adams did it.  Lou Jones does it. Joe McNally exemplifies it. These photographers cultivate their vision by paying attention to light and subject throughout the day.  They have the ability to see beyond the moment to another day, or another season.  Some of that is experience that comes with time, but, most of that is raw instinct.  Their planning is a pre-visualized path to spectacular images.   I understand exactly what these visionaries are saying but, too often my own creative voice eludes me.  I want to be better; I need to be better.

Creativity comes from within but, inspiration to be creative is provided by events, and people, that surround us every day.  Within every photographer is a visual voice that craves inspiration.  The trick, I think, is to welcome inspiration whenever possible but, act upon it with patience and clarity.  Inspiration does not come in a neat, packaged box; it comes from connecting to your subject.  The more you invest of yourself  in your photographic process the more rewarding your images will become.  Take the time to understand your subject and explore your creative voice.  Emotion is part of the photographic process:   Photograph What You Feel.  In general, I am not very well spoken, my edges are rougher than most, and my inner voice is too often a mere whimper but, I DYING to be creative.  I have potential. We all have potential.

This weekend I had, for me, a great success.  I photographed my beautiful daughter posing in a stand of familiar Red Pine trees but, it was so much more than that.  The success is not so much in the image itself but, in my vision of the image weeks before I pressed the shutter.  I had vision.  One night this spring while sitting next to my campfire I watched night creep through the woods just as it does in the city:  a slow parade of twilight blue giving way to total darkness brought inspiration.  Immediately, I envisioned “blue” Red Pine trees.   I was excited to make that image right then but, I knew that summer-time would yield an image with green vegetation growing around the base of the trees for added color and interest.  I waited.  Then, this past Saturday I was picking blueberries with my daughter among the Red Pines when inspiration struck again:  watching my daughter move among the trees I now wanted a red headed Fairy Princess in “blue” Red Pines for scale, impact, and visual interest.  I could hardly wait for twilight.


At twilight I set up my camera and lighting, posed my daughter, and pressed the shutter on images that I had envisioned weeks before.  I saw, I felt, and I planned.  Due to my inspiration, I made a quick series of beautiful images that I will treasure forever.  No, I am not Ansel Adams, Lou Jones, or Joe McNally, but for a single, beautiful twilight I had vision just like them.  I, Donald Edward Toothaker, was creative.  You can be too.

 

Photograph What You Feel

Don

 

Image information

“Soft Blue Fairy Princess”

Nikon D800

Nikon 24-70 lens

ISO:  100

APT: f6.3

EXP:  1/4 second with White Balance set to Tungsten

SB900 gelled with color correcting filter and triggered using PocketWizard TT1, TT5, and AC3

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Using Your Lens Sharply!

Near LaGrange, Maine: Found this spot while on vacation last week in Maine.  Taken with my Nikon D800E, Carl Zeiss 25mm Lens at iso 100, f7.1 @ 1//160 sec on a tripod.  Eveything is sharp from the foreground to the trees in the background even though I only used f7.1.

Most folks would think they needed an aperture of f16 or f22.  Not true when focused properly and using a tripod.  I used my depth of field preview button to look through the viewfinder and manually focused the lens to get all in focus. (having a full frame camera really helps when using depth of field preview). I adjusted the lens aperture to f7.1 and tried to get all in focus and it was just right.  Just about Every lens whether it’s a prime lens (single focal length) or a zoom have their sharpest aperture around f5.6, f6.3 or f7.1.  Think bell-curve from your school days where only so many kids get an A and only so many fail and the rest are in the middle so to speak. So don’t always ‘run’ to f16 of f22 for a sharp photo as you may not get what you want due to lens diffraction at such small apertures! Look up hyper-focal distance to see how you can do this too!

Bob Ring (www.nephotoworkshops.com)

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The Versatility of You

Digital Photography is incredible.  Never before has our potential as photographers been so unlimited.  Today’s cameras are loaded with technology and capable of producing a broad range of results.  All they need is our creativity to make them shine!  We all should strive to be the best photographers we can be; not just the best portrait photographer or sports photographer or wedding photographer.  Your camera is loaded with versatility and you should be as well.

For me, one of the greatest aspects of digital photography is the opportunities it offers.  Pour yourself a cup of coffee, or something a bit stronger if desired, and spend some time studying your camera.   Look it over and learn its buttons and menus.  Understand what YOU need to do to make adjustments in the field.  How do you change your ISO?  Where is your histogram?  Does your camera have bracketing for HDR shooting?  Can you view your images in Black and White?  How do you set focus tracking?  Where do you set file size?   Contemplate what the camera and its technology is capable of.  Then, think about what it can do when combined with your creativity.  It is critical to know your gear but, it is even more essential to realize your aspirations  as a photographer.  The camera is just a tool and, ultimately, it is only as good as you are.  How good do you want to be?   Be aware, be creative, and be versatile.

The latest line of DSLR’s, both pro and consumer grades, give us more versatility than ever.  Seven years ago I bought my first DSLR – the 6 megapixel Nikon D70s.  It was a great consumer grade camera but, struggled at any ISO higher than 400.  I shot scenic’s at ISO 100 and used ISO 400 for sports/low light shooting.  I never went over ISO 400 unless I had to:   very similar to how we worked with film when you think about it.   My new Nikon D800 is a 36 megapixel powerhouse that will transform 35mm digital photography as we know it.  Right now, it gives me once unimaginable potential and versatility.  I welcome  that.
When I was a film shooter and headed to Maine for a weekend, I would typically bring 10 rolls of Fuji Velvia for pretty scenic’s, 10 rolls of 400 speed Fuji Provia for shooting in lower light, and 5 rolls of Kodak Black and White TMAX 400.  Each film had a job to do that was necessary but, costly and, at times, frustrating.  It would never seem to fail that I had half a roll of Velvia still left in my F5 but, now wanted to shoot a portrait in Black and White.  Instead of wasting film, I wasted opportunities.  Now, I dial a button and blow away anything that those films could ever do.  Think about that.  Think about the amazing versatility of that from a technology standpoint.  Now, think about the versatility of that as a photographer.  In a moments notice you can adapt to any situation and capture it with beautiful results.  That is not only very exciting but, it is highly empowering.
All of us should be very excited at the options available to us through technology.   The increasing resolution of today’s camera’s gives us breathtaking detail.  Being able to produce high quality images at ISO’s of 1600, 3200, and 6400 is mind boggling.   I can be in my garden shooting macro shots at ISO 100 and capture fine detail and rich colors.  A short time later, in order to defeat a frustrating breeze,  I can change my ISO to 800 and create a sharp, abstract image with similarly beautiful results. Then, just a few minutes later, change my ISO to 3200 and catch a GREAT portrait of my cat in poor, indoor light.  The power of versatility.   Wow.  No, seriously, Wow!!  
Technology continues to grow at an amazing pace but, to make it effective you must grow as well.  Having the latest, greatest camera does not make you a photographer.  YOU make yourself a photographer.  Push the limits of technology but, push your imagination just as far.  Nurture your creative energy, embrace the versatility of your camera, and harness the power of “you”.   The LCD screen and histogram give immediate feedback on your successes, your failures, and your necessary adjustments but, the best results all come from within.
How Versatile are You?
Don
“Photograph What You Feel”
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Old Friends

I turn to my camera often when I am compelled to be creative and expressive.  My trusty Nikon’s never fail to be a source of great comfort for me.    I feel safe with them, secure with them, and inspired with them.  They are constant companions and familiar “friends” as I explore my world and pursue my love of photography.  The images I make are a part of me.  They too are like old friends but, what happens to the images I DON’T process?

The creative process, for me, is something very personal, spiritual, and meaningful.  Every photo is taken with great purpose but, not every one works as a “final” image.   Too often my expectations exceed the final results but, one characteristic of experience is that I shoot less frames and come away with more “keepers”.  My workflow dictates that I immediately make a folder of my subject, download my images into the folder, and mark the images that I believe are notable.  Once done with those I make another pass through and look for more keepers.  I always find more but, inevitably there are many that never get much of a look, let alone processed.  I keep every image unless there is something excessively wrong with the photo.  Like my cameras, ALL of these images are my friends.  Like real life friends, we need to visit with them and nurture them and learn from them; even our mistakes.  They should not be forgotten.

I feel it is VERY important to go back and review your images at another time.  Almost every time I do this, I find an overlooked gem that now resonates with me.  In our enthusiasm to process what we believe to be good, we hurriedly overlook failed images that we can learn from and still work on.  Our skill set with software does nothing but improve and the software itself becomes more and more powerful.  Re-visiting our images from this year, last year, and years before should become an integral part of our creative process.  The advancements in Lightroom, HDR software, and Nik Software broaden our ability for post production.  Dig deep into your creativity and you WILL find more quality images in your library.   If nothing else, you will reconnect with images, places, and people who have meaning for you.

Go ahead, take the time to say hi to an old friend today; one way or another.

Don

“Photograph What You Feel”

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